In Betrayal in the City, Francis Imbuga uses various stylistic devices to highlight his message.
These include humour, irony, play-within-a-play, proverbs, songs, symbolism and satire.
This article will discuss irony and play-within-a-play and a sample question.
Francis Imbuga employs both dramatic and situational irony in his play.
Dramatic irony is a situation in which the audience and some characters in the play know something that another character does not know while situational irony is when things happen the opposite of what we expect.
When Mulili accuses Kabito of talking ill of Boss and his leadership, the audience and Mulili are aware that what he is saying is not true but Boss believes him and does not investigate but instead he orders Mulili to silence him.
When Jusper says that one of the country’s achievements is the increase in the number of expatriates, he and the audience know how much he loathes the expatriates but Tumbo believes and trusts him with the writing of the play that eventually leads to his downfall and that of the government.
EXPECTED TO PROTECT CITIZENS
It is ironical that the soldiers, who are expected to protect the citizens, are taking advantage of their positions to harass and even kill them.
Mulili kills the old couple for insisting on a shaving ceremony instead of protecting them.
He also kills Kabito after a quarrel during the meeting when Kabito disagrees with his ideas and accuses him of commanding people around.
It is also ironical for Mulili to denounce his cousin Boss, who had put all his trust in him and ensured that he benefited for being his eyes and ears.
When the coup is staged, Mulili says that Boss is only a distant cousin and should be shot for spoiling the economy of Kafira, killing Kabito and taking advantage of Regina.
Mulili also refers to Kabito as a green snake in the grass but in actual sense he is the snake because he is accusing him falsely.
Boss attends the rehearsals expecting to be entertained as he loves drama and wants to ensure that the play is ready for the entertainment of the visiting head of state but he gets a rude shock when the rehearsal is overturned and used to stage a coup which claims the life of Mulili and he is nearly shot.
The citizens are in a state of hopelessness and yet they have gained independence.
They had hoped that independence will bring with it fruits that will benefit them all and deliver them from the bondage of colonialism but the leaders who are expected to ensure that that happens continue to oppress them and are only interested in satisfying their selfish interests.
All these instances of irony are used by the playwright to highlight the theme of betrayal at the same time advancing the plot and portraying the character traits of various characters.
PLAY WITHIN A PLAY
Francis Imbuga uses play-within-a-play to advance the plot, highlight thematic concerns and bring out the character traits of some characters.
The prisoners are supposed to rehearse the play that is to entertain the visiting head of state but instead, they use the play to stage a coup and overthrow the government.
The play-within-a-play highlights some of the effects of poor leadership, among them coups. The citizens of Kafira have suffered at the hands of dictatorial leaders who do not care about their views and are bent on punishing anyone who criticises them and those who try to fight for justice are either killed or imprisoned.
It is this oppression that makes the prisoners take advantage of the play to accomplish their mission of overthrowing the government.
Through the play-within-a-play, we are able to see Boss as hot tempered when Tumbo says that he can hardly tell a human from a rat when he loses his temper and Jusper should be careful not to let Boss know who he is lest he faces the same fate as Kabito.
His dictatorial nature is also brought out when he says that he ordered for 300 more expatriates when the students demonstrated against five of his appointments and he tells Jusper to go and warn the students that they have no right to chant about Kafira’s Africanisation because it is his duty; if they do, the result will always be the same: death and imprisonment.
It is through play-within-a-play that we see the cunning and scheming nature of Jusper, Jere and Mosese when they use the play
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