As you prepare for your exams, you need more than just the set text.
It is important for you to have background information about the author.
This is because authors are greatly influenced by their everyday experiences as well as the values, norms and challenges facing their communities.
That is why it is said that literature is a reflection of the society.
The late Margaret Ogola was born in 1958 in Asembo Bay in Nyanza region. Her father was a civil servant who, together with his wife, instilled the spirit of hard work, determination, resilience and love of education in their children. These are among the values that feature prominently in her work.
Apart from The River and The Source, Dr Ogola also wrote I Swear by Apollo,A Place of Destiny and Mandate of the People. She also co-authored Educating in Human Love with her husband.
Dr Ogola was married to George Ogola and they have four children and two foster children. She was an advisor to the Kenyan Catholic bishops on issues of family health and a member of the opus dei. She succumbed to cancer in September, 2011 at the age of 53.
The River and The Source, her best known novel, is a story about an African woman, how her society views and treats her and the milestones she has reached in emancipating herself from oppressive and discriminative practices. The book’s physical setting is Nyanza in the western part of Kenya. However, the setting later shifts to Nakuru, Murang’a and Nairobi as the story develops.
The story cuts across the pre-colonial, colonial and post-colonial period. The social setting focuses mainly on the Luo and partly the Kikuyu communities.
Apart from the place of women in the society, the book also addresses issues such as social change, family ties and their importance as well as leadership and empowerment through education.
The author brings out these issues through the use of stylistic devices such as vivid description, foreshadowing and dialogue among others. The novel has a straightforward plot that is easy to follow. It is also rich in vocabulary, which is important in building students’ mastery of the English language.
The plot can be divided into four episodes revolving around four women who represent the four generations in the novel. They are Akoko, Nyabera, Awiti and Wandia.
The novel starts with the birth of Akoko, who is not only born to a great chief who already had seven sons, but also as the first daughter. The girl is named Adoyo, after the season in which she was born, Obanda, after her recently dead uncle, Akelo after her step grandmother and Akoko because she is noisy.
SLOW PHYSICAL GROWTH
Akoko’s physical growth is slow but she makes up for her lack of height with intelligence. Indeed, determination is the hallmark of her entire life. She amazes the entire household by sitting without support by four months, cruising around with support and pattering away on her own feet at seven months. At ten months, she stuns everybody, including her father, by uttering not one word but two — dwaro mara, which means ‘want mine’. This, she screamed at her brother who had taken away something she was playing with (pg14). This unique characteristics are a pointer to her future exploits.
Akoko flourishes into a beautiful girl and by her 17th birthday, many spies from prospective suitors are sent to her home and the reports were unanimous — a young woman with impeccable antecedents who could be expected, not only to nurture children, but also to build a real home. These characteristics attract Chief Owour Kembo, who wins Akoko’s father’s heart after rejecting 12 suitors. Marriage negotiations are done in accordance with tradition during which Akoko portrays unique traits of courage and confidence. This courage will be seen later when she dares her brother-in-law, Otieno, who confronts her.
Akoko settles in her matrimonial home and gets her first child, Obura, the wise one who was also called Kembo, after the late chief. After three and a half years, she gives birth to her second child, Nyabera, the good one. According to tradition, children are a sign of wealth and for Nyar Asembo, the rate at which Akoko was getting them was too slow. She intervenes and asks the council of jodongo (elders) to meet and advise her son to get another wife. Akoko’s mother-in-law even once accused her of bewitching her son.
Akoko wakes the entire village and confronts her mother-in-law and Otieno and later leaves for her father’s home. The dispute is later resolved through the council
Comments for Inside ‘The River and The Source’: Why literature students should master set texts
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